Friday, August 5, 2005

ISSUE 2

Contents




POETRY

……...............................................................................................................................…………......……………… 2
Above Our Sleeping Heads
Joe Moccia

…........................................................................................................................……………….....…………….…... 3
Last Night in St. Louis
Angela Feeherty

.................................................................................................................................................................................. 5
Narcissus
David Capps

…..............................................................................................................................…...……………………….... 6
Love and the Unsung Hero
Dru Parrish

FICTION

………….....................................................................................................................................………….……… 8
A Night at the Louisville Inn
J. Tyler Mortimer

………………………....................................................................................................................………………….…….. 17
The Driver
Oedipus Jones

The Awkward Alligator is brought to you by Matt Siemer and Nicole Rainey.
Cover art and other images by Curt Bozif.

Above Our Sleeping Heads (p. 2)


Above Our Sleeping Heads
Joe Moccia

The night has hands
but daylight can touch.
We dream the dark away and
we don't stir so much.

Carrion dreams pile forth
and breathe the north wind bells,
sweating sage and saints and rhythm.

Hymns hued in red and gold
that alight
align and are lost
in heaven we never know,
sung for what love we give them.

Last Night in St. Louis (p. 3)

Last Night in St. Louis
Angela Feeherty

Above my head cracks are forming;
sky raining on downtown as confetti,
streets shimmering,
bluish shards
crunching as I walk
from Tucker to Washington to 10th;

the vacant gray buildings
create tunnels before my eyes.

Looking down I can see
the clouds, soft pink and bright
tangerine wisps passing through
the ground, blown by strong winds
out of the city,
on to places where the earth still trembles,

the pulse of clear-green rivers swelling
like veins through the grasslands.

The industrial East City
is gone from my sight.
Hollow buildings in South City,
ghettoes in North City,
segregated West County,
lost, beyond location.

Here on the sidewalks the sun
is passing--
blues and yellows and oranges
of the smashed crystal ball
are fading to black.

I sit down on Locust,
brush the sunset off my shoulder
just as a half-moon is forming.
I look across the cityscape
through the fog of falling
shining atmosphere
at the lonely shadowed Arch
that, when passed through, will take me
where I always knew I would go.

Narcissus (p. 5)

Narcissus
David Capps

reply was he didn't know what the concept was

string of beads, sure
straw floating stars down the river
sweet pressure of the summer's wrist

but this matter of passing time stumped the best
as best i could 'splain it:

drawing my finger to a ridge
a pitiful handful of goats staring back
condescending as the land was drying up
all sense of this migration lost on our nodding

I stood a long time by this Idiot on the bridge
who could not repeat back to me what I said

Love and the Unsung Hero (p. 6)

Love and the Unsung Hero
Dru Parrish

From the points of index
one can bridge the chasms
between gestures and constellations.

Trace the stars around
harsh lines. Breathe into beauty
with red hair; girls in white
set against darkness in the night.

The one who speaks to me, speak to me.
Swirl hands in red. They come and go
the girls who talk of nothing; nothing and Michelangelo.

My hand drops drawing chasms
together. If to me. Asterisk to eye…and me

I endeavor to be still; let them speak to me;
speak to me…and once.

Cicada’s sing the muse,
summer song sweetly sung:
love and the unsung hero.

A Night at the Louisville Inn (p. 8)


A Night at the Louisville Inn
J. Tyler Mortimer


I have the body of an old man.

*You sure you don’t mind?*
“No, it’s fine.”
*It’s fine, or it’d be cool?*
“It’d be cool, it’s fine, don’t worry about it.”
*I just don’t want you to be upset, that’s all*
“It’s fine, really.”
*Ok, then, I’ll see you in a couple hours or so.*
“Yeah, that’s great.”

I shouldn’t be this tired.

He walked out of the room and to the elevators. He punched the down button and when the doors opened he stepped on to ride to the lobby. With his satchel slung over his shoulder he walked towards the pedway to the convention center, merging with other dreary-eyed meaningless professionals.

From the metal folding chair somewhere ambiguously in the middle of a field of filled folding chairs, he watched the dichromatic PowerPoint presentation someone mindlessly strung together. He looked around at the heads bobbing in understanding, and wondered if these people were really learning anything, or if they were just nodding out of politeness.

In what was surely a portal of time, he emerged from the conference room two hours later, with nothing more to his person except the wrinkles of being two hours older.

When did it turn into this?

*You sure you don’t mind?*
“Sarah, you’re already here.”
*I don’t have to stop, I could keep going.*
“That’s nonsense, you’re passing through, just stop.”
*But I don’t have to stay there, I mean—*
“I want you to come by. I want you to stay the night. I just might need to sleep, that’s all.”
*I know.*
“I mean, I have to get up early tomorrow too, and I won’t be leaving until late.”
*I know.*
“I’m just not looking forward to the drive tomorrow night, that’s all.”
*I don’t have to stay.*
“I’ll see you in a couple of minutes.”

I’m too young to feel this old. Other people my age don’t feel like this.

His knees ached as he stepped up the stairs to the café.

Why is my body failing?

He pulled out the ten year projections because he was sitting alone, and didn’t want to look alone, so he thought his papers would make him look accompanied, or, at least, busy. And as he tapped his chest and took three pills from out of the bottles in his bag, his weaker mind poked through and began to nag him more intensely.

What if you’re not here in ten years?
Stop that.
You know it’s likely.
Stop that.
Don’t lie to yourself.
Not now, not here.
You can’t ignore me forever.
No one’s ignoring you. No one could ignore you.


*I’m outside the hotel, where are you?*
“I’ll come down and get you.”


He pushed open the door and saw her standing there, adorable, and beautiful, and achingly perfect, but not in a boring cover-model kind of way: no, perfect in an eye-of-the-beholder kind of way. She smiled at him like the middle school kid who came to the dance alone and finally saw someone she knew. They wrapped together, twisted, and rested their foreheads, eyes closed, on each other’s.

“It’s been too long.”
“I know.”
“We shouldn’t keep doing this.”
“I know.”
“I’m too tired of this.”

I’m too tired, period.

“I could transfer schools. And then we’d only be apart when you go on these trips.”

“I’ll quit.”

She smiled and looked at him, and lovingly smacked his shoulder with her hand.

“You can’t quit. One of us has to have a job.”
“I don’t care. I’ll quit.”
“Honey, we need the money.”
“I don’t care. I’m too tired.”
“It’ll get better.”
“No, I mean tired-tired.”
“Oh. Did you not sleep well last night?”
“I slept fine. I slept fine, that’s the thing.”
“Not long enough?”
“I don’t know, maybe, I mean, I used to do just fine.”
“You’re not sixteen anymore honey.”
“Yeah, but I’m not fifty either.”
“I’m sure it’s just the conference, that has to be draining.”

I’m sure it’s just the conference.

They walked, hand in hand, around the city for a while. It started to get dark, and he was starting to get short of breath, so they headed back to the hotel.

“What floor did they put you on?”
“Just the second,” he said, as they stepped onto the elevator.

They got close to his room, and he turned her around, then pushed his hands into her hips and backed her into the door. He slid one hand up the back of her shirt, and pressing his lips into hers, he slid the key into the door. She dropped her bag in the doorway and he kicked it in with his foot while the door swung closed and locked. A noiseless blue light from the muted TV showed them where the space on the floor was between the bed and the dresser, and they fell into it; and with heavy sighs and deft fingers, he slipped off her pants while she reached in his. Between the checking of his breath and the gasping of hers, they pulled off each other’s clothes, and the over-zealous air conditioner began to freeze their sweat.

And with a frightened sense of reality, he realized where he was.

I cannot be this tired.
You’re an old man.
I’m not an old man.
You’re an old, old man.
I shouldn’t be this tired.
Why don’t you go to sleep already.
“Honey, are you ok?”

Tell her not tonight. Tell her we’ll do it the next time we see her.

“Yeah, I’m fine.”
“You seem tired.”
You’re exhausted.
I’m exhausted.

“Cause if you’re too tired, it’s ok, we don’t have to—”
“No, I want to.”
The spirit is willing, old man, the spirit is willing—
“God, I want to be here so bad.”
“You are here.”
“God, I want to be here so bad.”
“Honey what’s wrong?
Tell her you’re weak, and tired.
“Do you want to go to sleep? It’s ok, you have a lot to do tomorrow.”
“So do you.”
“I just have to drive, that’s all.”

“When’s the next time I’ll see you?” he asked, looking into the darkened mass beneath him, breathing and squeezing him.

“Well,” she said, biting her lip, “I have to finish three more weeks at school, and then I go back to my parents’ for a few days if you’re there.”

“I’m in Seattle in three weeks.”
“...and then I leave to Italy for the summer.”
“So not until the before the fall semester.”
“Maybe.”
“God, I want to be here so bad.”
“Why do you keep saying that?”
It’s ok to admit that you’re too weak. She’ll understand.
Don’t let me go to sleep.
But you’re tired old man.
“We should go to sleep, you look exhausted.”
“I’m not exhausted.”
We’re exhausted.
“It’s ok, I don’t mind.”
“I don’t want to go to sleep.”

“Honey, you’re tired, you’ve had a busy week. And I have a lot of driving to do tomorrow, I should sleep too,” she said, pushing him up.

He sat there, naked, while she went over to her bag and pulled out something to sleep in. In a voice, shallow, tense, and wrought with fear, he asked her to come back and lie with him. He asked her to come and be naked with him, and not to let him sleep, and not to let him be tired. And she, sympathetically, told him she loved him, but that if he needed rest, then it was wiser that he get rest.

“I don’t want to be this,” he said, lifting his body off the floor, “I’m not ready for this part.”
She turned back to him, and gently put her hand on his chest.
“The doctor said that when you need rest, you’ll need rest.”
“I’m not ready for this.”
“There will be other days—”
“—”
“—I want there to be other days.”

In the darkness of the room she prepared herself to go to sleep; in the darkness of his mind he did the same.

The Driver (p. 17)

The Driver
Oedipus Jones

I stagger outta the bar and fumble my keys into the cab door. I forgot the fuckin’ handle’s broke off. Reaching through the open window, I pull the handle from the inside. Now that I’m good ’n fueled back up I can finish my goddam route. Driving drunk’s about the least of my concerns. It’d take the shipwrecked jelly of about a zillion dead seals to lube up my social life. Just me and the streets. Me and the cab-riding shit that stumbles out of god knows where from doing god knows what at hell’s ungodly hour in This Town. A couple six double bourbons and I’m the fuckin’ king of the clams riding my lonely chariot through the nights of wine and walkabouts.

I look out the window and see some pussy standing in the streetlight, passin’ a cig between ‘em. Fuckin’ whores. They should do us all a favor and get back in school. Fuck it. Maybe later I’ll quit window-shopping and take ‘em both for a ride. We’ll see how the tips go.

As I drive my way down Hocus Avenue, it’s all I can see. Pussy this. Coke that. Horse another. Booze-a-lolli. Nothin’ fuckin’ changes. I remember growing up in this shit.

Out of a five-n-dime titty club I see a couple a real high society types. Some real Breakfast at Tiffany’s type shit right on my route—lucky fuckin’ day. Not too typical for this stretcha street, but fuck, what is typical anyway? Nothin’ in This Town. Notha-fuckin’-othin’.

Audrey Go-fuckady stretches out her hand. I guess that’s how you call a washed up ol’ drunk to drive your powdered ass home in the art world. I pull the beast on over and she steps up to bat, Handy Joe Pretty-Pants gigglin’ up beside her. He’s still got a martini in his hand, the lucky fuck.

They hop those pretty little asses in the back and I roar off down the avenue. Killer rack on the dame. Monkey suit on the monkey.

“Darling, you really must keep your hands to yourself,” she says to he.

“Where ya headin’?” says me to she.

“Does it matter?” says she to me.

“Not so long as the meter’s runnin’.”

“81st and Pike,” the Monkey mumbles as much to himself as God ‘n Jesus or anyone. “I’m gonna take you back home and tuck ya in real good.”

“Now, darling, you really have had a bit too much to drink, haven’t you? I don’t know how you ever even talked me into this taxicab with you.”

I take a hard right and he spills his drink all over her pretty little feet.

“Whoops! Not so dry anymore, is it? Hgrah hgrah hgrah hgrah hgrah hgrah!” He even laughs like a goddam asshole.

“Oh damn!” says she. “You’ve spilt martini all over my shoes!”

“Better than blood,” says me, looking up in the mirror. She looks back at me with somethin’ in her eye. Somethin’ I haven’t seen in these parts for a long while... fuck even ever. It looks like somethin’ worthwhile… somethin’ noble… all that shit. But whatever it is it all still smells like pussy to me.

“Driver?” says she in that way that only means one thing.

I take my cue and pull the beast over. Fancy-Pants doesn’t know shit from shingles when I throw him in the street, but the bloody slab of face he leaves skidding across the pavement should fill in the blanks tomorrow.

“Thank you, driver,” says she. “He really was becoming quite a bore.”

I take off down the road again and look back up in the mirror.

“What’s your name, doll?” I ask. Classy broads like these love it when two bits calls ‘em doll. Makes ‘em feel all Daisy Gatsby ‘n shit. That same look flashes ‘cross her eye again.

“What’s in a name?” says she, pulling out a cig from her dainty little doody bag. “Does it really matter?”

“Not so long as the meter’s runnin’,” I shoot her a second time.

“Do you mind if I smoke in your taxicab?” she asks with a prissy little flip in the way she says taxicab.

“Not if you tip the driver with one of them pretty long cigs of yours.” I quit smoking six months ago, but shit like this don’t count. She lights two cigs and hands one to me through the chicken wire in between us.

“Don’t most cabbies these days have bulletproof glass between the seats?” she asks like she really gives a damn or two. I take a long, hard drag and nearly halve the damn thing.

“Maybe,” I say, “but I’m more a chicken wire type a guy… Keeps the trash in back.”

I take another look in the mirror and catch a pretty little peak at the cut of her dress. Pretty low cut for a society type. Makes me wanna slip inside some high society myself. I drag the other half of the cig instead and throw it out the window.

“Well, what if I were to pull a pistol from my handbag and shoot you?” says she.

“Well, what if you were?” says me.

“I should say that it really puts me at an unfair advantage, doesn’t it?”

I look in the mirror again and that damn somethin’ is still in her eye. She stares right back and brings the cig between her lips.

“I’m not too worried about it,” says me.

She leans forward, wrapping her fingers through the chicken wire. The cig between her tasty little knuckles points back at her face and makes it glow like a goddam movie. I turn my head to get a better look and she whispers real seductive like: “That’s not my only advantage over you.”

She leans back and takes another drag.

“Oh no?” says me. “And what else do you think you’ve got?”

And some fuckin’ grin creeps ‘cross her face while she’s blowin’ smoke out her nose.

“I know your name, Mr. Joe Squabbleton,” she reads from the license displayed to the back.

I laugh at the silly bitch and say: “Honey, if you’re still livin’ in a world where you can believe a damn thing because it’s printed on some scrappa paper, then you’ve got a couple ways to watch that pretty little assa yours before you come seedin’ back down to This Town again.”

She stares at me in the mirror. That damn look never does leave her fuckin’ eye.

She samshes out her cig on the cab window and says: “This is my stop.” I pull the fuck over and she gets outta the cab. She comes up to the passenger window and hands me fifty bucks. “I believe this should cover it,” says she.

“You want change?” says me.

“Keep it,” says she an’ she starts leanin’ all forward like on her arms. All the bosom in the world mashed up all together here right in fronta me. That low cutta hers is paying off for all the chips and then some. This bitch is good. She musta done this type a shit before.

“Anything else?” says me, lookin’ straight into that goddam somethin’ in her eye.

“Care to come up for a drink?” she asks like she wasn’t the goddam devil tryin’ to close the deal on one more wayward fuckin’ fuck.

“Sorry, doll,” says me. “There’s a lot more money to be made.”

“I’ve got money,” says she, “And a bit else to boot.” I don’t doubt it and I tell her so.

“But I don’t need your kinda money,” says me and I roar off down the road again.

As I drive the fuck away I look from side to side and wonder: Where the fuck am I… and who the fuck is Joe Squabbleton?